One-Click Storyboard Splitting with NadouPro Storyboard: Automatic Character, Scene, and Prop Recognition

Every creative workflow starts with a story, but turning a story into images used to rely on long processes, scattered tools, and repeated trial and error to maintain consistency across characters and scenes. NadouPro's storyboard capability changes that: in one interface, you can build continuous shots, unified characters, and a complete narrative all at once.

What Storyboard Does

It does not generate isolated single images, but connected visual sequences: multiple frames share the same set of characters, the same style, and the same lighting logic. In the first frame, a character stands in the desert; in the second, he walks into a city; in the third, his face appears in a mirror—the same face, the same light, the same tone.

Two modes correspond to two ways of working:

Manual mode. Describe frame by frame and control each image the way a director plans a storyboard. This is suitable when you already clearly know the rhythm of the story, such as an advertising storyboard, comic strip, or animated sequence.

Automatic mode. Write one complete description, specify the number of frames, and the model automatically distributes the narrative across the images, like a cinematographer planning camera positions from the description of a scene. This is suitable for quickly producing a complete plan.

Input: the Starting Point of the Story

Every sequence starts with input, which can be a text description or reference images. Up to four references can be used at the same time:

A character portrait to lock in the character's look; a scene photo to define the environment; a prop object to specify key elements; a lighting or costume reference to anchor the mood.

Mixed use is its strength. A sentence like “the character from image one stands in the scene from image three, wearing the costume from image four” can organize the person, place, and object into the same image.

Prompt Structure

Storyboard generation rewards precise descriptions. Organize them in this order:

Write the subject first, placing the person or character at the front; then write the scene, where the action takes place; state the style early, such as cinematic, realistic, documentary, or concept art; then write the action, what the character is doing and how they interact; finally write the atmosphere, including light, emotion, and rhythm.

Example: “Cinematic style. The woman from image one walks along the neon-flickering nighttime street from image three, holding the umbrella from image two, with slow drizzle, reflections on the road surface, and shallow Depth of Field.” The model will organize the character, environment, and prop into one shot like a director.

How to Use Automatic Mode

Use automatic mode when you want speed: describe the world setting once, choose four, six, or eight frames, and the model expands the text into a complete sequence, interpreting the same narrative from different angles and actions.

Example: “A female detective investigates an unsolved case, in a film noir style, with a black-and-white vintage image texture.” One description can produce a full set of atmospheric storyboards.

How to Use Manual Mode

In manual mode, each frame is described separately. It is suitable for work where the rhythm is already clear:

A Close-Up of the protagonist's face in morning light; a Medium Shot moving through a market; a Long Shot with the city skyline as the background; and a final frame where the character turns to look toward the horizon.

Each frame is a visual paragraph of the story, with light, composition, and emotion automatically aligned.

Practical Advice

After the storyboard is finalized, the same set of reference assets can go directly into video generation, without rebuilding characters and scenes. The storyboard stage has the lowest cost for trial and error, so try several versions before finalizing and moving forward.

FAQ

Q: How many storyboard frames can be generated at once?
In automatic mode, multiple frames can be generated as a complete sequence at once. For longer stories, generate them in segments and reference the same set of character assets between segments to maintain consistency.

Q: How should reference images be prepared for the best results?
For characters, use a clear front view plus a side view; for scenes, use a Full Shot that represents the overall atmosphere; for props, use a separate image. Keep it within four images, each with its own role.

Q: What is the difference between storyboarding and directly generating video?
Storyboarding is a low-cost trial-and-error stage. Changing one frame is much faster than regenerating a segment of video. Finalizing the storyboard before generating video clearly reduces rework.

Q: Is the quality of storyboards in automatic mode stable?
Descriptions with clear narratives and well-defined styles produce stable outputs. The vaguer the description, the more room the model has to improvise, and the less controllable the result becomes.

Q: Can storyboards be exported directly for team review?
Yes. The whole set of images is generated at once, and exporting them in order gives you ready-made proposal materials. With canvas collaboration, the team can also annotate feedback directly on the canvas.

Explore more features on NadouPro: NadouPro

Contains AI-generated information that may be incorrect. Please verify independently.